“To me, punk rock is the freedom to create, freedom to be successful, freedom to not be successful, freedom to be who you are. It’s freedom.”
– Patti Smith
1. If you’re scared of failing you’ll never try.One of the ethos punk teaches you is to just go for it, consequences be damned. Yes, that can be foolhardy, but success should be the byproduct of passion, not the goal.2. Question everything, especially authority.For many, punk rock is their intro into politics and corruption, mostly through reading Dead Kennedys lyrics and then having their minds blown by bands like Discharge and Crass. More importantly, punk shows us that not just politicians are to be questioned, but everyone in authority, including your parents.3. You don’t have to be perfect.The beauty of punk rock is that it is pure, raw emotion, an exposed nerve that doesn’t need to be slick and polished to get its point across. I mean, Sid Vicious was probably the world’s worst bassist but did that stop the Sex Pistols from making history? Hell. No. All punk asks is that you give it your all, and if you make a mistake then even better.4. You’re an individual, so express it however you like.It’s your hair, it’s your body. Do what you will with it. Just no Crocs, please.5. Sometimes you’re better off doing it yourself.The DIY philosophy implemented by punk rock was birthed from necessity, with bands and fans having to do everything on their own — including fanzines, record sleeves, etc. — knowing that no one was going to give them a hand. With that ideology, you can take on the world in all its aspects, since at the end of the day, the only person you can truly depend on is yourself.6. The pit can be cathartic.Especially as a youth, when your hormones are out of control and it seems like the world is against you, there is nothing better than getting out your frustration by violently hurtling yourself and other youths doing the exact same thing. In the end you feel like you just ran a marathon, which, depending on how many times you ran around the circle, you probably did.7. Don’t judge a book by its cover.Some of the nicest, gentlest, sweetest people you will ever meet will be wearing a studded leather jacket with liberty spikes atop their heads. Just because someone isn’t a cookie-cutter citizen doesn’t make them a threat, it just makes them different.8. There is more out there than just punk rock.Punk is the perfect gateway to other genres of music, since its family tree is thick with branches — some that lead to metal, some that lead to ska and reggae, some to hip-hop, etc. Diving into punk really means diving into music in general.9. You are not alone.The greatest gift punk rock offers is the fact that there are other people like you out there. There is nothing worse than feeling isolated, feeling like no one understands, and then — BAM! — here’s this music and this community that instantly gets you. It’s the reason you fell in love with it, and the reason that no matter what, you’ll always be punk at heart.
Thursday, July 31, 2014
Wednesday, July 30, 2014
via The Huffington Post
Religion News Service | By Heather Adams
(RNS) Richard Rossi is on a crusade of sorts, traveling to cities across the country to collect stories about the fabled healing powers of baseball great Roberto Clemente.
His goal? Nothing short of making Clemente an officially recognized Catholic saint.
“He had a calling to be a great baseball player,” Rossi said, “but he had a calling beyond baseball.”
Clemente played right field for the Pittsburgh Pirates from 1955-1972. He reached 3,000 hits and won the National League MVP trophy in 1966.
On Dec. 31, 1972, Clemente boarded a flight in San Juan, Puerto Rico, to ferry relief supplies to earthquake victims in Nicaragua. Soon after takeoff, the plane crashed, killing Clemente and four others.
Rossi was only 9 years old when Clemente died but remembers going to Pirates games for $1 with his father. Since then, Rossi said he’s read almost everything written on Clemente and talked with many more people who knew him.
After talking to several people, including a nun, Rossi said, he learned the religious side to Clemente had been left out of most biographies. So, Rossi, a 51-year-old Catholic and independent filmmaker in Hollywood, made it one of the bigger parts in his movie, “Baseball’s Last Hero: 21 Clemente Stories.”
Now, Rossi and a group of volunteers are listening to people’s stories about Clemente, and they’re using the scientific tools of X-rays and medical records to verify tales of Clemente’s miraculous healing touch.
Under normal circumstances, miracles are considered much later in the process, after the church has officially opened a sainthood cause. Catholic teaching says miracles attributed to a saint — two are needed for canonization, after his or her death — are evidence that the person has God’s ear in heaven.
“One reason the Catholic Church has lasted a couple of thousand years, it has this kind of process, they’re very slow and so we want to make sure we present something that, you know, has a lot of credible evidence,” Rossi said.
Rossi already has several supporters on his side, including Duane Rieder, executive director of the Clemente Museum in Pittsburgh.
Rieder said he has spent time talking to family, friends and nuns who knew Clemente; they say he predicted his own death through dreams of him dying in the ocean and his body not being found.
But Rieder said he feels that the most important part is not the way Clemente died, but the way he lived his life for others.
“He’s the only true baseball hero. He’s the only person, player that ever gave up his life helping other people. Everybody else, you know, Babe Ruth wasn’t a hero. He was a hell of a baseball player,” Rieder said. “Roberto Clemente was the only true baseball hero.”
Rossi is also looking for support from bishops, including Archbishop Roberto Gonzalez Nieves of San Juan — and even Pope Francis.
“The purpose of my writing is to humbly ask your blessing my efforts to defend the beginning of the canonization of Puerto Rican athlete humanitarian Roberto Clemente,” the letter says.
As the archbishop of San Juan, Nieves would have to sign off on Clemente’s sainthood cause and move the process along to the Vatican. The Archdiocese of San Juan did not respond to repeated requests for comment.
Rossi also hopes to meet with Pope Francis and show him his movie. “I think he is the perfect pope for this — No. 1, being Latin American. But No. 2, he thinks outside the box.”
Carmen Nanko-Fernandez, a Latina theologian at Chicago Theological Union, is writing a book about Clemente, “El Santo! Baseball and the Canonization of Roberto Clemente.” She said anything is possible with Pope Francis, but due to a canonization process that can stretch on for centuries, she isn’t so sure Clemente will make the cut.
“All evidence seems to point to that Clemente was a good guy who tried to lived his life well. So in that sense, you know, does he have a chance at being considered a saintly person? Sure,” she said. “Will that make him into the canonization process that makes him an officially recognized saint in the Catholic Church? I’m not so sure.”
But Nanko-Fernandez said Hispanic Catholics can continue to venerate and honor him, making him an unofficial saint.
“It’s not necessary for one to become an official saint to be considered a saint,” Nanko-Fernandez said.
For Rossi, Clemente is needed as a saint for “ordinary” people to look up to. Clemente lived his life for others and died in service to the poor, Rossi said, and what could be more saintly than that?
“When we look at the process of canonization, unfortunately, it’s very weighted towards celibate people that choose the vocations of being a priest or nun,” Rossi said. “I mean, there’s a very small percentage that walk it out in the real world as a family-first man, as a husband, as a father, in a secular culture, as a baseball star.”
Tuesday, July 29, 2014
“The wealth of societies in which the capitalist mode of production prevails appears as an ‘immense collection of commodities.’”—Karl Marx
“In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.”—Guy DeBord
“The spectacle is not a collection of images, but a social relation among people, mediated by images.”—Guy DeBord
“We are not working for the spectacle of the end of the world, but for the end of the world of the spectacle.”—Raoul Vaneigem
“Quotations are useful in periods of ignorance or obscurantist beliefs.”—Guy DeBord
“We’re not here to answer cuntish questions.”—Guy DeBord
On the Passage of a few People through a Rather Brief Moment in Time: The Situationist International 1956-1972 is an interesting short film by Branka Bogdanov primarily documenting the work of ultra-leftist French philosopher Guy DeBord, author of the influential post-Marxist study of late 20th capitalism Society Of The Spectacle. The film explores the Situationist International’s role in inciting the Paris riots of May 1968 and the influence of the SI’s nihilistic aesthetics on the punk rock era.
Interviewees include Greil Marcus, author of Lipstick Traces: A Secret History of the Twentieth Century, the late Malcolm McLaren and Sex Pistols graphic designer Jamie Reid.
Monday, July 28, 2014
Hitler is the human symbol of evil, but his rise to power in Germany in the 1930s obviously can’t be explained by reference to that alone. There must have been some deep, underlying appeal to the man himself. In 1940, in a review of Mein Kampf, George Orwell (!!!), who was not yet the famous author he would become, wrote:As Orwell points out, Hitler’s appeal was largely symbolic, and, just as with every American president from FDR to Nixon to Reagan to Obama, he understood that public presentation has to be carefully staged and place a premium on non-verbal, one might even say precognitive aspects to politics and ceremony. In the preface to Mein Kampf, Hitler wrote, “I know that men are won over less by the written than by the spoken word, that every great movement on this earth owes its growth to orators and not to great writers.”
But Hitler could not have succeeded against his many rivals if it had not been for the attraction of his own personality, which one can feel even in the clumsy writing of Mein Kampf, and which is no doubt overhwhelming when one hears his speeches. I should like to put it on record that I have never been able to dislike Hitler. Ever since he came to power—till then, like nearly everyone, I had been deceived into thinking that he did not matter—I have reflected that I would certainly kill him if I could get within reach of him, but that I could feel no personal animosity. The fact is that there is something deeply appealing about him. One feels it again when one sees his photographs—and I recommend especially the photograph at the beginning of Hurst and Blackett’s edition, which shows Hitler in his early Brownshirt days. It is a pathetic, dog-like face, the face of a man suffering under intolerable wrongs. In a rather more manly way it reproduces the expression of innumerable pictures of Christ crucified, and there is little doubt that that is how Hitler sees himself. The initial, personal cause of his grievance against the universe can only be guessed at; but at any rate the grievance is there. He is the martyr, the victim, Prometheus chained to the rock, the self-sacrificing hero who fights single-handed against impossible odds.
Hitler understood the power of oratory, and his success in that arena was not accidental; it was the product of a great deal of practice and careful adjustment. Heinrich Hoffmann was Hitler’s personal photographer, who took an astonishing two million pictures of the Führer. Here we see a series of photographs by Hoffmann of Hitler practicing his exaggerated hand gestures to be used in future speeches. Hitler actually characterized different effects for the various poses, such as “gebieterisch” (domineering) or “kämpferisch” (pugnacious).
>After he saw the negatives, Hitler ordered that the photos be destroyed, but Hoffmann hid them away. After the seizure of his archives, they were released to the public.
via Downtown Camera
Sunday, July 27, 2014
Saturday, July 26, 2014
A compilation of various artists from around the world endorsing AFD (Animal Freedom Day) by lending their talents to bring the much needed awareness for this worthy cause. Watch the full webcast on July 26th, 2014 at 12:00 pm EST right here on this channel: youtube.com/animalfreedomdayintl
Performances include: Rapper's Delight (The Sugarhill Gang), Jarvis Church (of The Philosopher Kings), Fred Penner, PRTY H3RO, D.O. Maestro, Stone River, Gentlemen Husbands, Keep The Faith (Bon Jovi Tribute), Who Made Who (AC/DC Tribute), Absolute Journey (Journey Tribute), The Reklaws, Bring Me The Author, The Killin' Time Band, Boris Brot, Craig Cardiff, Mystic Drumz, Aukland, Tupper Ware Remix Party, Mandippal, NUA, Scarlett Jane and more!
We encourage everyone to go animal-free for at least one day on AFD, July 26 2014.
Show your support by posting a picture, tweeting a text or uploading a video saying which animal you would be and why.
Hashtag #WhatAnimalAreYou to get involved!
By particpating in #WhatAnimalAreYou and by signing the following AFD petition: (http://www.thepetitionsite.com/takeac...), we can make AFD a global recognized event by the United Nations and by all citizens of the world.
Celebrate AFD for the earth, environment, people and for the animals.
Find out how and why going animal free on AFD can help the world. ** For more info visit www.facebook.com/animalfreedomday OR www.twitter.com/animalfreeday **
Friday, July 25, 2014
Since the 1970's Majuli islander Jadav Payeng has been planting trees in order to save his island. To date he has single handedly planted a forest larger than Central Park NYC. His forest has transformed what was once a barren wasteland, into a lush oasis.
Humble yet passionate and philosophical about his work. Payeng takes us on a journey into his incredible forest.
Check out our bonus scenes if you want to see more of this incredible story.
Download the original soundtrack by Mike Ritchie:
Extra Scene: Why is Majuli Eroding Away?
Extra Scene: Night in Jorhat
Thursday, July 24, 2014
David Carter sure doesn’t look like the weak stereotype that many perceive those on a vegan diet to be. This 300-pound athlete is the defensive lineman for the Oakland Raiders in the NFL, and he does not eat any animal products. He is 26-years-old, has a height of 6-6 and can bench 470 and squat 660 pounds.
Carter grew up eating meat and believed it was necessary to eat it in order to be big and strong. “Every coach, trainer, nutritionist, and doctor all pointed me in the direction of animal products,” he wrote on his blog. “From protein shakes to weight gainers there was no other alternative, so I did as I was told and followed the standard athlete’s diet regimen. Whey protein, raw eggs, gallons of milk, and casein were in just about every supplement I took.”
So why did he make a healthier change? ”One night my wife and I were watching Forks Over Knives and I realized that all the effort I was putting in to get big and strong for football was actually killing me,” he wrote. So, he started eating vegan!
Carter is awesome for showing the world that you can thrive and be strong enough to play football with the biggest of meat eaters. He played college football at U.C.L.A. and was drafted in 2011, making this season his fourth year in the NFL. Now, he is in the process of launching his personal website, The 300 Pound Vegan, where you can read posts about his vegan diet and catch up on news relating to the athlete. The site plans to allows readers to make a difference by submitting donations.
“I have always seen the benefits of being vegan, but I never thought I could have a plant-based diet and keep weight on for football,” Carter wrote on his blog. ”After being vegan for only two months I can honestly say that being vegan is not the only most efficient way to be full body strong, it’s also the most humane; everyone wins.”
Images’ source: The 300 Pound Vegan