Thursday, April 25, 2019
Friday, December 21, 2018
Sunday, August 12, 2018
Sunday, March 4, 2018
Wednesday, February 14, 2018
‘O.J.: Made in America’ Director
Boards Roberto Clemente Biopic
from Variety:
Ezra Edelman is following up the award-winning “O.J.: Made in America” by spotlighting another famous athlete.
The Oscar winner has signed on to direct Legendary’s biopic on baseball icon Roberto Clemente.
Legendary closed a deal for Edelman to develop a feature film with writer Rowan Ricardo Phillips based on the life of the famed baseball player. John Lesher will produce alongside Fuego Films’ Ben Silverman and Jay Weisleder, with Giselle Fernandez and Sandra Condito serving as executive producers.
The studio previously picked up the rights to David Maraniss’ book “Clemente: The Passion and Grace of Baseball’s Last Hero” and entered into an agreement with Clemente’s family for his life rights. Legendary has already seen success in this genre, having successfully launched the Jackie Robinson biopic “42” to box office and critical success, and hopes for similar results with this film.
Clemente played for the Pittsburgh Pirates from 1955 to 1972. On Dec. 31, 1972, Clemente boarded a small plane en route from Puerto Rico to Nicaragua to assist with earthquake relief. The heavily loaded plane crashed just off the Puerto Rican coast, and Clemente’s body was never recovered. He was inducted into the Baseball Hall of Fame in 1973.
Whiting Award-winning poet, Guggenheim fellow, and Paris Review sports columnist, Phillips is also the author of four books: “The Ground,” “Heaven,” “The Circuit,” and 2010’s essay collection “When Blackness Rhymes With Blackness.” Also a prodigious sportswriter, his work in that field has appeared in magazines such as The New Yorker as well as the Library of America’s “Basketball: Great Writing About America’s Game.”
Edleman’s “O.J.: Made in America” was celebrated for not only its in-depth look at the infamous football star, but also for its reflection of race relations in the country. The pic went on to win an Emmy and Oscar for best documentary.
Wednesday, January 10, 2018
Black Panther
the movie looks Dope.
found out today about a little something in this film, that's exciting for me personally, that I look forward to seeing....
Sunday, March 27, 2016
Review: 'Pee-wee's Big Holiday' (loved it)
Last night my eight-year-old daughter and I enjoyed Pee-wee's Big Holiday. This is a fantastic return for Pee-wee Herman, and Paul Reubens has done a masterful job. Pee-wee's charm, innocence, and awesome moral compass are still keeping him out of trouble, despite a cast of delightfully troublesome characters that pop up along the way.
This is another Pee-wee Herman road movie. Pee-wee is loving his life in Fairville, and hasn't left since the events of his last feature film. When phenomenally cool stranger and well-known actor Joe Manganiello (portrayed by himself) comes to town, the two become instant friends. Manganiello invites everyone's favorite adorable man-child to his birthday party, which happens to be in just five days and in glamorous New York City. The invitation rekindles Pee-wee's sense of adventure, and he takes to the open road. Raucous hilarity ensues.
My daughter told me she really likes Pee-wee. He is cute, very nice, and oh so funny. I have to agree. This film is was great fun for us both! Pee-wee's playful innocence and charming smirk are in perfect tune. Interesting and sometimes slightly creepy characters appear with every scene change. Rube Goldberg machines, silly disguises, crazy locations, and improbable events abound.
Big Holiday is a reprise of Pee-wee's Big Adventure, one of the most hilarious films of all time. The new Netflix feature is not the same adventure you remember from the 1985 cult classic, but close enough to press all your happy nostalgia buttons. Paul Reubens exudes 100% of the boyish charm and delight we expect in Pee-wee. His high-pitched scream still pierces even after 30 years. His smile and giggle are still infectious. Director John Lee manages to get the rest of the cast to play along with Reubens perfectly, while dropping easter egg after easter egg for longtime fans. Mark Mothersbaugh did an amazing job with the soundtrack--absolutely reminiscent of Danny Elfman's work for Big Adventure, but stand-alone wonderful.
Pee-wee's Big Holiday, via Netflix
I also have an eight year old, he and I enjoyed it as well!
Sunday, March 20, 2016
Sunday Story:
Read Monty Python’s letter to all the ‘Life of Brian’ haters...
Monty Python’s letter—apparently thousands of these were sent out—to judgemental people who had never actually even seen their 1979 film Life of Brian but who nevertheless found it to be blasphemous anyway:Dear __________
Thank you for your letter regarding the film Monty Python’s Life of Brian. Whilst we understand your concern, we would like to correct some misconceptions you may have about the film which may be due to the fact that you have not had the chance to see it before forming your views. The film is set in Biblical times, but it is not about Jesus. It is a comedy, but we would like to think that it does have serious attitudes and certain things to say about human nature. It does not ridicule Christ, nor does it show Christ in any way that could offend anyone, nor is belief in God or Christ a subject dealt with in the film.
We are aware that certain organizations have been circulating misinformation on these points and are sorry that you have been misled. We hope you will go see the film yourself and come to your own conclusions about its virtues and defects. In any case, we hope you find it funny.
Best wishes,
Monty Python
Below, some images I found of the “haters” protesting Life of Brian in 1979:
I’m not sure, but I think that maybe this one is supposed to rhyme?
Here’s one of the most infamous BBC broadcasts of the late 1970s: On November 9th, after Life of Brian had been banned by many local councils in Britain for being blasphemous, Tim Rice –the lyricist of Jesus Christ Superstar, which itself had been accused of blasphemy earlier in the decade—hosted a debate between Malcolm Muggeridge and Mervyn Stockwood (the then Bishop of Southwark) representing Christians and on the other side were two Pythons, John Cleese and Michael Palin defending their film. It’s an amazing and important bit of television history and gets quite tense.
Wednesday, April 15, 2015
'We Are Blood' (Official Trailer)
We Are Blood is a modern day skate epic featuring Paul Rodriguez and other top skateboarders as they travel the globe pushing the limits of what's possible on a board and four wheels while celebrating the unconditional bond created by the simple act of skateboarding. Directed by Ty Evans, We Are Blood is filmed using state-of-the-art cameras to creatively capture the most cutting-edge, progressive skating experience imaginable.
We Are Blood will debut worldwide August 2015.
Tuesday, March 3, 2015
Saturday, January 17, 2015
Wednesday, June 26, 2013
Inspiring "GO FOR IT!" Movie Trailer from the mid-70's
BONUS:
Saturday, September 22, 2012
"The Punk Rock Movie"
Here's a classic blemishes and all

Film-maker and musician, Don Letts was working as a DJ at the Roxy club in London in 1977, when he filmed most of the Punk bands that appeared there, with his Super 8 camera. Letts captured a glorious moment of musical history and its ensuing social, political and cultural revolution.
Letts decided he was going to make a film with his footage, and had sell his belongings to ensure he had enough film stock to record the bands that appeared night-after-night over a 3 month-period. Eventually, he collated all of the footage intoThe Punk Rock Movie, which contained performances by the Sex Pistols, The Clash, Wayne County & the Electric Chairs, Generation X, Slaughter and the Dogs, The Slits, Siouxsie and the Banshees, Eater, Subway Sect, X-Ray Spex, Alternative TV and Johnny Thunders and The Heartbreakers. There was also backstage footage of certain bands, and Sid Vicious’ first appearance with the Sex Pistols, at The Screen On The Green cinema, April 3rd, 1977.









