Showing posts with label public spaces. Show all posts
Showing posts with label public spaces. Show all posts

Tuesday, August 18, 2015

In New York City's Lower East Side,
gardening is a political act of resistance


from The Guardian



The first community gardens began to crop up in the 1970s, when the city went bankrupt – amid the blight, residents cleaned up vacant lots and created safe, green spaces that flourish even as gentrification threatens their future
On a hot summer’s day, the sun beats down through a canopy of fruit trees and the breeze carries the smell of roasting pork. Birdsong can be heard alongside salsa music. But this is no Caribbean island – this is downtown Manhattan.

“When you come here, you swear you are in Puerto Rico,” says Marta MontaƱez, who has lived in and around the Lower East Side for 62 years, after immigrating to the US when she was six.

As a member of two of the neighbourhood’s gardens with strong Latino heritage, MontaƱez has been able to find a slice of island life on Avenue C. “It really is a paradise, it’s an escape,” she says.

Founded in 1979, the community garden at 9th and C is one of the oldest and grandest in the neighbourhood. A botanical garden overflowing with flowers, vegetables and herbs, there is a grape arbour, an outdoor kitchen with a miniature tea set, cherry and peach trees and a pond with fish and turtles.

A towering dead willow tree is a reminder of the water that flooded and contaminated the garden during hurricane Sandy. Today the gardeners are preparing to host a party for one of the members who has gardened here for 30 years. Last week, it was a free salsa party with a live band and dancing that attracted about 300 people.

The first community gardens began to crop up in the Lower East Side – the area south of 14th street and east of the Bowery, encompassing what has more recently become known as the East Village – in the 1970s, when the city went bankrupt.

Buildings in the Lower East Side – or Loisaida, as the Latino community call it – were abandoned, or torched by landlords for insurance purposes, turning the area into a hotspot for drugs and crime.

Amid the blight, residents cleaned up the vacant lots, rejuvenating the area and creating safe, green spaces where they could grow food, relax and convene. Self-styled “green guerrillas” threw seed bombs onto these lots, while horse manure from Central Park was collected and used as fertilizer.

As the movement grew, the city launched Operation GreenThumb in 1979, taking back legal control over the community gardens by issuing short-term leases to the gardeners and offering resources to create and maintain them.

Today, 39 of these gardens remain in the Lower East Side – the highest concentration in the city, which has about 600 in total. Nestled among the rows of tenement buildings, they are the heart and lungs of the densely packed neighbourhood.

Volunteers pay a membership fee to join a garden and commit to looking after and keeping the gardens open for set numbers of hours a week under GreenThumb’s criteria.

Over the summer months, the gardens host a movable feast of cultural activities – including movie screenings, plays, exhibitions, talks, music and barbecues that reflect the rich diversity of the artistic neighbourhood, which has long been a gateway for immigrants entering New York.

“These spaces create their own reality and are social experiments,” says Stefani Mar, a textile designer and artist, who has volunteered at El Sol Brillante Jr on 12th street since 1985.

The narrow and neatly gardened space recently added two urban beehives. “It’s random people who end up here – you may not have anything in common with them, but you come together to share a space,” she says. “They help build bridges in the community.”

With the organisation required to create and protect the spaces, many of the gardens have become homes to social and political activism. Le Petit Versailles, on East Houston Street, was established in 1996 as a LGBTQ community arts garden, by artists and collaborative partners Peter Cramer and Jack Waters.

“This garden started to take momentum as a public social space after the events of 9/11,” says Waters. “There was a need for a community, social space and political interaction.

“Simultaneously, there was also the galvanising of the queer community and queer politics; that meant the garden very much became a hub for our culture and politics,” he says.

When the Republican National Convention came to the city in 2004 – sparking large protests – activists and protesters were invited to seek refuge and regroup in the garden. “There really is a sense of enclosure and protection. You can feel it – it’s visceral,” says Waters.

In the mid-afternoon, light trickles through the leaves of the mulberry trees, illuminating the various curios, sculptures and remnants from previous art exhibitions that have become entwined in the shady garden. All summer it hosts a packed programme of cultural events that attract people from around the world. “It’s a lived history,” says Waters.

One of the unavoidable consequences of the locals’ cleaning up and beautifying the neighbourhood is that the land became attractive to developers, most acutely under former mayor Rudolph Giuliani, who specifically targeted the gardens, inspiring many protests.

Elizabeth Ruf-Maldonado, a theatrical director, professor and community activist, remembers seeing a garden opposite her apartment in 8th street – a large plot where about 50 households gardened – flattened by bulldozers to make way for a housing development.

After the garden was destroyed in 1996, Ruf-Maldonado and a few other neighbours began clearing a plot opposite, which had been used as a toilet and garbage heap and was filled with needles, to create De Colores Community Yard.



Today the plot, with its hammock, lawn and pink plastic flamingos, has an almost suburban feel – a laissez-faire vibe. “You can mow here, which, when you live in the city, is actually pretty fun,” says Ruf-Maldonado.

The future of these spaces is a perennial concern for the gardeners, who have to renew their GreenThumb licenses every four years. They are organising to gain official recognition for the Lower East Side’s gardens and the first Community Garden District.

Charles Krezell, film-maker, founder of Loisaida United Neighborhood Gardens (Lungs) and co-founder of De Colores, has been working with Ruf-Maldonado to map out a network of community gardens.

“We have to make the gardens more attractive, more active and more valuable within the community, expanding the gardens in such a way that they are looked on as a resource, not an eyesore, not a potential development but green space for the city – and we are hurting for green space,” says Krezell.

In January the community board unanimously voted in favour of creating the Community Garden District, but the plans are “a little controversial”, explains Ruf-Maldonado: “The worry some have is that if this is called a garden district, it will become a destination for tourism and rich people will want to buy here.

“My feeling is that it would have to be tied to tenant activism,” she says, “like becoming more active about the things we need, like stronger rent laws and positive zoning.”

But as the neighbourhood has gentrified, rising rents over the past 20 years have forced out some existing communities and families that formed the backbone of the gardens, creating a membership pipeline challenge. Newer residents, many of whom are students, tend to be more transient, staying for one or two years. With the original gardeners and activists ageing, and maintaining the gardens being a labour- and time-intensive task, recruiting the next generation of volunteers will be vital for ensuring the gardens continue to bloom.

Krezell hopes Lungs’s paid summer job scheme for high school students to work in the gardens – a “baptism of mud”, as he describes it – can help plug the gap.

“It’s about generational education,” says Krezell. “It’s not all about the virtual computer world. It’s real shit right here – get your hands dirty and appreciate it.”

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I love our public gardens!

Monday, July 16, 2012

Stories from the world's first sex survey

from BoingBoing



This woman, Clelia Duel Mosher, conducted the world's first sex survey—a series of interviews with 45 American women, most of whom were born before 1870. She conducted the surveys off and on between 1892 and 1920, but never published on them. They were found in 1973, and present an interesting take on Victorian and Edwardian-era women's sex lives, something we usually only hear about from decidedly biased sources from that time period that often claim women didn't like sex at all.

The surveys show that wasn't the case. More interestingly, they tell the story of changing expectations about marriage and sex.

Slightly more than half of these educated women claimed to have known nothing of sex prior to marriage; the better informed said they'd gotten their information from books, talks with older women and natural observations like "watching farm animals." Yet no matter how sheltered they'd initially been, these women had—and enjoyed—sex. Of the 45 women, 35 said they desired sex; 34 said they had experienced orgasms; 24 felt that pleasure for both sexes was a reason for intercourse; and about three-quarters of them engaged in it at least once a week.

Unlike Mosher's other work, the survey is more qualitative than quantitative, featuring open-ended questions probing feelings and experiences. "She's actually asking these questions not about physiology or mechanics—she's really asking about sexual subjectivity and the meaning of sex to women," Freedman says. Their responses were often mixed. Some enjoyed sex but worried that they shouldn't. One slept apart from her husband "to avoid temptation of too frequent intercourse." Some didn't enjoy sex but faulted their partner. Mosher writes: [She] "Thinks men have not been properly trained."

Their responses reflected the cultural shifts of the late 19th century, as marriage became viewed as a romantic union, not just an economic one, and as people began to dissociate sex from procreation, says Freedman. One woman, born in 1867, wrote that before marriage she believed sex to be only for reproduction, but later changed her mind: "In my experience the habitual bodily expression of love has a deep psychological effect in making possible complete mental sympathy & perfecting the spiritual union that must be the lasting 'marriage' after the passion of love has passed away with the years."

Read more about the survey and Clelia Mosher in the Standford Alumni Magazine.

Sunday, July 15, 2012

Nobel laureate occasionally hangs out on street corners, answering physics questions






from BoingBoing:
This morning, I got to spend a little time chatting with Daniel Bowring, a physicist who designs particle accelerators for Lawrence Berkeley National Laboratory. During our conversation, Daniel told me about something really cool. On at least two separate occasions, once in New York City and once in Chicago, Nobel Prize-winning physicist Leon Lederman has basically just set a card table up on a street corner and allowed all comers to bring him their physics questions.

I was imagining something like "Particle Physics Advice: 5 cents", which is a little off. But not by much. In the video above, you can see him in New York, hanging out in front of a wipe board that says "ASK A NOBEL PRIZE-WINNING PHYSICIST!" (Another sign to Lederman's left just has a picture of a model of the atom and an arrow pointing at him.)

It's pretty damn wonderful. And Lederman is great at quickly making physics concepts understandable. Enjoy! (And keep your eyes peeled. I really hope he does this again sometime.)

Saturday, September 10, 2011

Earl of Glasgow asks to keep graffiti mural

from the BBC
A peer has asked to keep a controversial graffiti mural on the walls of his family's 13th century castle in Ayrshire.

The Earl of Glasgow has written to Historic Scotland asking if the exhibit can remain as a permanent feature of Kelburn Castle in Largs.

The mural features a psychedelic series of interwoven cartoons depicting surreal urban culture.

It was completed by Brazilian graffiti artists in 2007 at a cost of £20,000.


It was permitted by North Ayrshire Council on the understanding that it was temporary.

A three-year limit was put on the graffiti, pending the start of work to replace the harling render on the exterior of the turret.

The castle is located in the grounds of Kelburn Estate, which also houses a country centre open to the public and featuring a series of outdoor attractions.


'Top ten'
Last month the mural was named as one of the world's top ten examples of street art by author and designer Tristan Manco - on a par with Banksy's work in Los Angeles and the Favela Morro Da Providencia in Rio de Janeiro.


The latest memorandum of guidance published by Historic Scotland states that owners of listed properties should only use "historically correct colours in a manner which is appropriate to the building".

The Earl of Glasgow, Patrick Boyle, whose family has been in Kelburn Castle for 800 years, has written to Historic Scotland seeking to establish whether it is likely the agency would object if he sought consent from the local authority to allow the graffiti to stay indefinitely.

He said: "In the three years that the mural has been on the castle it has attracted enormous interest from around the world and it is loved by everyone who sees it.

"It has become a landmark and a talking point and it has given the castle and the estate a whole new character."


The peer said he realised there were strict rules governing the preservation of historic buildings, but insisted the graffiti added to the character of the castle rather than diminished it.

He added: "What we now call historic buildings have always been drivers of fashion in architecture and design.

"Features that we now take for granted would have seemed radical in their day. The mural might look a bit outlandish and futuristic but if it provokes interest and makes people smile, why shouldn't it stay?"


thanks, Doug