Joe Strummer: The Future Is Unwritten

I finally watched this very informative great documentary on Joe Strummer on cable TV tonight, highly recommended for Clash fans obviously, but really anyone into early UK punk at all will appreciate this. Julien Temple did an incredible job on the documentary, of apparently one of his "great friends". It's over 2 hours, but really nice.

My only complaint is that he does not show any of the names of the talking heads in the movie, some are recognizable or you're able to figure it out in context, but others leave one thinking what is the credibility of this voice? who are they and why are they in this movie? Particularly towards the end it gets really corny with some of the celebrity cameos. But the rest of the film is so well done I still recommend it.

here's the trailer:



If you can't find the film on TV somewhere or don't want to rent it, I noticed it's on YouTube in like 15 parts.

In love with Janie Jones: The Clash and the bad girl who inspired one of their greatest songs

I remember like it was not so long ago, seeing the Clash at the Palladium here in New York City, that same night the photo was taken by Pennie Smith, that ended up on the front cover of London Calling, September 1979, when the Clash went into my favorite song of theirs "Janie Jones", the whole place including myself went totally bazerk pogoing. I went in by myself, my friends were either afraid to come in or running late, i don't remember that part, but i was alone with a couple of thousand music freaks and some punks, having the time of my life, that show and the entire night after was incredible.

Here's a great story about the song, that was my favorite Clash song of all time:
(from Marc Campbell at DangerousMinds

Janie Jones was a sixties pop celebrity who went from the clubs of swinging London to a jail cell in 1973. Janie had fleeting success as a singer, releasing several singles, including a novelty hit called ‘Witches Brew”, and performing in nightclubs on bills with David Frost and Peter Cook. But she was mostly known for her uninhibited sexuality and ‘fuck you’ attitude toward the stodgy and hypocritical British establishment. She hung out with actors, politicians and rock stars, including Marc Bolan, Tom Jones and Dusty Springfield. But her biggest claim to fame was when she was arrested and imprisoned for running a prostitution ring. Her high rolling friends were shocked at what was considered a harsh sentence for something as benign as arranging “dates’ for some of London’s most famous hipsters. This was the sixties after all, the era of free love. It was as if she were being punished for the behavior of an entire generation. Janie’s bust made her an instant cause celebre and the fodder for countless tabloid headlines.

When sentencing Janie Jones to seven years in prison in 1973 after she’d faced charges for vice and corruption, Judge King-Hamilton called her one of the most evil women he’d ever sentenced. Janie first hit the headlines in August 1964 when she appeared topless at a premier. A friend of hers, film producer Michael Klinger, had his new production ‘London in The Raw’ opening at the Jacey Cinema in Piccadilly. Topless dresses had proven to be something of a sensation in Paris and Klinger asked her if she would turn up at the films premier in a topless dress. She was known by her real name Marion Mitchell then and was accompanied by one of her sisters, Valerie. The two arrived in a Rolls Royce, stepped out of the car and let their wraps fall to their elbows, putting up a bold front for the photographers. “One must keep abreast of the times,” she said.

After Janie was released from prison in 1977, she became a punk icon when The Clash immortalized her in the song “Janie Jones.” She developed a close friendship with Joe Strummer, who supposedly idolized her, and Joe wrote a song for her called “House Of The Ju-Ju Queen.”  Along with the rest of The Clash and members of Ian Dury’s band, Joe went into the studio and recorded the tune with Janie doing the vocals. Joe paid for the session. Due to contractual reasons, the record was released with the band credited as The Lash.

Punk stars like Joe Strummer had also known what it’s like to have been vilified by the press. But Jones has nothing but admiration for the man whom she now claims, gave me back my dignity as an artist. As a display of her continued affection for the ex-Clash frontman, in 1992 she asked her good friend (and songwriter of some repute) Tony Waddington to translate her feelings into song. Two days later, he’d written ‘A Letter To Joe’ for me. I just seem to inspire songwriters, she says.

In the video that follows, The Clash perform ‘Janie Jones” in 1977 and Janie sings “House Of The Ju Ju Queen” and “Letter To Joe.”  While The Clash’s song is a classic, neither of Janie’s songs are particularly memorable, though “Letter To Joe” is heartfelt and tender, but as pop culture artifacts they’re rock history.  Joe Strummer’s muse: Janie Jones… who, by the way, is still very much alive.

And here’s “Witches Brew”...