TROUBLE FUNK: NPR Music Tiny Desk Concert

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May 30, 2018 | Abby O'Neill -- Go-go — Washington D.C.'s regional twist on funk — reigned in the DMV during the 1980s, and one of the scene's signature acts was Trouble Funk. More than 30 years later, the collective, led by Big Tony Fisher, still fills sold-out venues with heavyweight percussion and call-and-response lyrics. Trouble Funk concerts are bona fide jam sessions, so I was determined to squeeze their unrelenting rhythms behind the Tiny Desk.

With 12 members sandwiched into a cramped space, the electricity was almost tangible as they launched into the 1982 banger "Pump Me Up," a song sampled in Public Enemy's protest anthem "Fight the Power" and M/A/R/R/S's dance classic "Pump Up The Volume." The drum breaks here are definitive go-go and it was hard to discern who was having more fun: the band or the audience. On "Grip It," buoyant and staccato horn melodies propelled the song forward, while "Let's Get Small" featured Trouble Funk's classic call-and-response chants. "Drop the Bomb," another notable gem from their lengthy discography, kept the energy level high and "Don't Touch That Stereo" was all raw, unencumbered funk. To conclude the set, they segued into "E Flat Boogie," their first hit in 1979, with Big Tony's vocals front and center.

While the late Chuck Brown is often acknowledged as the godfather of go-go (and you can see why during his Tiny Desk), Trouble Funk was a key part of the sound's second wave. In a city often interrupted by the transient revolving door of government officials and federal staffers, the funky artform is woven into the fabric of this city and inspires a spirit of dance, rhythm and sheer joy.

SET LIST
"Pump Me Up"
"Grip It"
"Let's Get Small"
"Drop The Bomb"
"It's In The mix" (Don't Touch That Stereo)"
"E-Flat Boogie"

MUSICIANS
Big Tony Fisher (bass), Allyson Johnson (keyboards), James Avery (keyboards), Tony Edwards (drums), Chris Allen (percussion), Larry Blake (percussion), Dean Harris (trumpet), Eric Silvan (saxophone), Paul Phifer (trombone), Derrick Ward (vocals), Keith White (vocals), David Gussom (guitar).

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, James Willetts; Videographers: Morgan Noelle Smith, CJ Riculan, Maia Stern, Dani Lyman; Production Assistant: Joshua Bote; Photo: Eslah Attar/NPR.

Go-Go: Pretty Cool Late ‘80s Documentary About Washington D.C.’s Funk Scene

I was turned on to "Go-Go" by none other than Henry Rollins and Ian MacKaye, when i was just getting into hip-hop circa '82 these two would always get me listening to some of their own home grown tapes. Trouble Funk, E.U. Redds and the Boys, Rare Essence and others... especially on long drives, 45 minute grooves, records that go from one side to the next before a jam is done. I was always grateful. It's amazing to me that Go-Go has never really spread beyond the Washington DC area, other than some hard core fans here and there, and it's still thriving to this day! Live shows, radio shows, public access on cable TV, it's still going down!



Thanks DangerousMinds for this post!

The Godfather of Go-Go Chuck Brown, with his Soul Searchers

Background information on David N. Rubin’s 1990 documentary Go-Go Swing is pretty hard to come by. But that hardly takes away from how deep a snapshot it is of the highly regional Washington D.C. brand of funk called go-go.

Developed first by jazz guitarist and singer Chuck Brown (whose group the Soul Searchers were at the top of D.C.’s scene), go-go is characterized by its laidback but dynamic funk rhythms accented with heavy conga beats, freaky keyboards, blasting horns and call-and response vocals. And its been a staple of the mid-Atlantic scene for the past 35 years. 

Go-go reached a crest during the 1980s, as bands like Trouble Funk, E.U., Rare Essence, Redds and the Boys, Hot Cold Sweat, the Junk Yard Band and others got signed and discarded by various majors and independents. E.U.’s performance of “Da Butt” on Spike Lee’s School Daze was a coup as far as national exposure for the music.

Go-go has retained its shine to this day, as plenty of R&B artists dabble in its rhythms to this day, and D.C. troupe Beat Ya Feet Kings bringing next-generation go-go dance style to a range of tempos and genres.

Rubin’s doc goes deep into the context of the go-go scene, dealing with the trials, tribulations, mournings and celebrations that are all part of living in D.C. Check out the whole thing—it’s really worth it.



Part II  || Part III || Part IV || Part V || Part VI

Here's some footage of the excellent go-go rhymer D.C. Scorpio performing “Stone Cold Hustler” at the Capital Center, backed by the Soul Searchers.

One of the most classic Go-Go recordings that actually made it to a record.
Touble Funk "Drop The Bomb" (short/edited version)



Rarely are these groups captured on studio recordings that are any good, but here's a few undeniable classics:

Trouble Funk "Pump Me Up"


Chuck Brown "Bustin' Loose"