photo by Heidi May
Check out Henry's show here:
https://www.kcrw.com/music/shows/music-special/henry-rollins-the-stooges-bad-brains-john-cale-cool-quarantine?
It's in my eyes, and it doesn't look that way to me, In my eyes. - Minor Threat

From the MRR Board of Directors:
It is with heavy hearts that we are announcing the end of Maximum Rocknroll as a monthly print fanzine. There will be three more issues of the fanzine in its current format; late in 2019 we will begin publishing record reviews online alongside our weekly radio show. Readers can look forward to more online content, updates regarding the archive project initiated in 2016, and other yet-to-be-announced MRR projects, as well as new ways for punks around the world to get involved.
Maximum Rocknroll began as a radio show in 1977. For the founders of Maximum Rocknroll, the driving impulse behind the radio show was simple: an unabashed, uncompromising love of punk rock. In 1982, buoyed by burgeoning DIY punk and hardcore scenes all over the world, the founders of the show — Tim Yohannan & the gang — launched Maximum Rocknroll as a print fanzine. That first issue drew a line in the sand between the so-called punks who mimicked society’s worst attributes — the “apolitical, anti-historical, and anti-intellectual,” the ignorant, racist, and violent — and MRR’s principled dedication to promoting a true alternative to the doldrums of the mainstream. That dedication included anti-corporate ideals, avowedly leftist politics, and relentless enthusiasm for DIY punk and hardcore bands and scenes from every inhabited continent of the globe. Over the next several decades, what started as a do-it-yourself labor of love among a handful of friends and fellow travelers has extended to include literally thousands of volunteers and hundreds of thousands of readers. Today, forty-two years after that first radio show, there have been well over 1600 episodes of MRR radio and 400 issues of Maximum Rocknroll fanzine — not to mention some show spaces, record stores, and distros started along the way — all capturing the mood and sound of international DIY punk rock: wild, ebullient, irreverent, and oppositional.
Needless to say, the landscape of the punk underground has shifted over the years, as has the world of print media. Many of the names and faces behind Maximum Rocknroll have changed too. Yet with every such shift, MRR has continued to remind readers that punk rock isn’t any one person, one band, or even one fanzine. It is an idea, an ethos, a fuck you to the status quo, a belief that a different kind of world and a different kind of sound is ours for the making.
These changes do not mean that Maximum Rocknroll is coming to an end. We are still the place to turn if you care about Swedish girl bands or Brazilian thrash or Italian anarchist publications or Filipino teenagers making anti-state pogo punk, if you are interested in media made by punks for punks, if you still believe in the power and potential of autonomously produced and underground culture. We certainly still do, and look forward to the surprises, challenges, and joys that this next chapter will bring. Long live Maximum Rocknroll.

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PHARMACY 27 THE SONICS (JERRY ROSLIE) / BURGER RECORDS (LEE AND SEAN) / JONATHAN TOUBIN (SOUL CLAP) by Mr.Pharmacist on Mixcloud
Gregg Foreman’s radio program The Pharmacy is a music / talk show playing heavy soul, raw funk, 60′s psych, girl groups, Krautrock. French yé-yé, Hammond organ rituals, post-punk transmissions and “ghost on the highway” testimonials and interviews with the most interesting artists and music makers of our times…
This week hardcore post-punk pioneer Guy Picciotto of musical revolutionaries Fugazi and Rites of Spring.
Fugazi, with their reasonably priced records and shows, demonstrated how bands could find their own way without the preconceived notion that you needed corporate label backing to have an impact (and a career!). The conversation explores the early days of DC punk, meeting the Cramps and legendary Atlantic Records mogul Ahmet Ertegun’s attempts to sign the band, the inspiration behind Rites of Spring and so much more…
Mr. Pharmacy is a musician and DJ who has played for the likes of Pink Mountaintops, The Delta 72, The Black Ryder, The Meek and more. Since 2012 Gregg Foreman has been the musical director of Cat Power’s band. He started dj’ing 60s Soul and Mod 45’s in 1995 and has spun around the world. Gregg currently lives in Los Angeles, CA and divides his time between playing live music, producing records and dj’ing various clubs and parties from LA to Australia.
Set List:
Intro
Merchandise - Fugazi
12 x U - Wire
Intro 1 -
Guy Picciotto Interview Part 1
Garbageman - The Cramps
Hey Bulldog - The Beatles
Song # 1 - Fugazi
Guy Picciotto Interview Part 2
For Want Of - Rites of Spring
Black Skin Blue Eyed Boys - The Equals
Intro 2 - Funky Kingston - Rx/Toots and the Maytals
Guy Picciotto Interview Part 3
Greed - Fugazi
To Hell with Poverty - Gang of Four
Police Truck - Dead Kennedys
American Ruse - MC5
Intro 3 - One, Two , Boogaloo - Rx/The Light Nites
Guy Picciotto Interview Part 4
In the City - The Jam
Spectra-Sonic Sound - Nation of Ulysses
I-94 - Radio Birdman
Intro 4 - Dedicated to Love - Rx/Vampyros Lesbos
Guy Picciotto Interview Part 5
(I Got a Catholic Block) - Sonic Youth
New Radio - Bikini Kill
Let’s Build a Car - Swell Maps
Intro 5 - Papa’s Got a Brand New Bag - Rx/JB’s
Guy Picciotto Interview Part 6
Ahemet Ertegun Tribute
Hold On I’m Comin’ - Sam and Dave
Memphis Train - Rufus Thomas
Intro 5 - Restless - Rx/The Cobras
Guy Picciotto Interview Part 7
Margin Walker - Fugazi
Intro 6 - Moanin’ - Rx/Art Blakey
Message via Lux Interior
Pay To Cum - Bad Brains
Outro
You can download the show in its entirety here.
Haven't been hearing much about this from the good ol' mainstream media. Have you? Shocking! But now, thanks to a historic FCC decision, a chunk of our media is being delivered back into the hands of the citizens. The question is: what are we going to do with it, folks?
In this video you're going to find out:
1:05 — exactly who is going to benefit from this change
3:40 — how we can turn static into democracy without even upgrading our software
4:20 — proof that this is a huge opportunity
6:50 — how to take the first step.
This show was originally broadcast on April 6, 2013 on KCRW. Not only are there great tunes to listen to, but good conversation between two old friends.
Playlist:
01: Booker T. & The MG’S — “Green Onions” (Stax Revue Live At The 5/4 Ballroom)
02: Vile Cherubs — “Man With A Photograph” (The Man Who Has No Eats No Sweats)
03: Q And Not U — “Kiss Distinctly” (No Kill No Beep Beep)
04: Lungfish — “Wailing Like Dragons” (Feral Hymns)
05: Radio Birdman — “New Race” (Radios Appear)
06: Black Eyes – “Drums” (Cough)
07: Follow Fashion Monkeys – “Managerie” (Unreleased Session)
08: Slant 6 — “Double Edged Knife” (Soda Pop*Rip Off)
09: Stooges Brass Band — “Where You From” (It’s About Time)
10: Eddy Current Suppression Ring — “She’s Dancing Away” (So Many Things)
11: The Ramsey Lewis Trio — “Hang On Sloopy” (Hang On Ramsey!)
12: Led Zeppelin — “The Song Remains The Same”
13: Happy Go Licky – “Twist And Shout” (Happy Go Licky Will Play)
14: Medications — “The Perfect Target” (5 Songs)
15: SPRCSS — “Ours Is Expanding Light” (Unreleased)
16: Funkadelic — “Free Your Mind And Your Ass Will Follow”
17: The Nurses — “D.Y.F.” (Single)
18: Nation Of Ulyses — “SS Exploder” (Plays Pretty For Baby)
19: Red C — “Pressure’s On” (Unreleased demo)
20: Rocket From The Crypt — “Pressure’s On” (All Systems Go)
Myself, I'm much more partial to part two of this final mix.
Living in New York City in the 1980s one could not help but be suffused with the sounds emitting from beat boxes tuned to the dance party grooves of Kiss F.M. - it was the sound of the city. Sadly, KISS is no more. The powers that be pulled the plug on the station and 98.7 on the dial is now a sports channel.Birthplace Magazine reports:
DJ Red Alert, a pioneering radio icon responsible for helping launch the careers of dozens of hip hop artists, broadcast for the last time from New York’s KISS-FM, his radio home during the early days of hip hop and throughout the years. The station, WRKS (98.7), announced a change in format on April, 26, 2012, shocking KISS-FM listeners who had been tuning in for decades.
ESPN has now taken over the frequency while former station rival WBLS (107.5) will “absorb” the KISS-FM branding. It is unclear how much of 98.7′s KISS staff will also move down the dial.
“Kool” DJ Red Alert, along with his WBLS counterparts Mr. Magic and Marley Marl, helped usher in what is often considered hip hop’s “Golden Era,” bringing rap music to New York’s airwaves in a groundbreaking way. Besides being a DJ for artists and groups such as Afrika Bambaata and KRS-One, Red Alert was also personally responsible for managing and breaking artists like the Jungle Brothers, A Tribe Called Quest and Queen Latifah.
The Bronx Hall of Fame member became emotional during his final 49 minute-long mix, thanking staff at Kiss-FM. “Lord gave me the best. I respect y’all. I thank y’all. Y’all don’t understand how I feel. I love y’all.” Red Alert said, his voice breaking down. He then ended his long broadcasting career at 98.7, speaking to his listening audience, many who have grown up listening to Red’s familiar voice, distinctive style and custom catchphrases, telling them, “Once again, I’m signing off. 98.7, Kiss-FM. God bless each and every one of y’all. I’m outta here.”
A little bit of New York City died over the weekend. Reminisce on this: Red Alert’s goodbye KISS - a mix in two parts.






