Keep Your Eyes Open - The FUGAZI photographs of glen E. friedman
DOGTOWN - The Legend of the Z-Boys go here to pick up these titles - SIGNED or 25% off direct from Akashic
http://www.akashicbooks.com/author/glen-e-friedman/
Showing posts with label Punk. Show all posts
Showing posts with label Punk. Show all posts
Thursday, December 10, 2020
Quarantine Q&A:
Glen E. Friedman w/ Johnny Temple of Akashic Books
from Akashic Books Official:
Photographer Glen E. Friedman talks to Johnny Temple about keeping his eyes fresh, and the new editions of his Fugazi and DogTown books.
Keep Your Eyes Open - The FUGAZI photographs of glen E. friedman
DOGTOWN - The Legend of the Z-Boys go here to pick up these titles - SIGNED or 25% off direct from Akashic
Keep Your Eyes Open - The FUGAZI photographs of glen E. friedman
DOGTOWN - The Legend of the Z-Boys go here to pick up these titles - SIGNED or 25% off direct from Akashic
Friday, May 1, 2020
Wednesday, April 29, 2020
Saturday, January 25, 2020
"Let Fury Have the Hour" film (2012)
Sunday Sermon
if the window does not open, go here:
http://preprod.snagfilms.com/films/title/let_fury_have_the_hour
Friday, May 17, 2019
Visualizing the [Information] History of Fugazi
This is an amazing set of graphics and information:
go HERE to see it.
Subjects include:
The International Fugazi Tour Network
Unconventional Venues
Local Activism & Fundraising
Fellow Travellers
Family Tree
small screen shot sample below of one of the several graphics.
Data & Methodology
List of shows scraped from the Fugazi Live Series website, using the Data Miner Chrome extension. I then used a geocoder to generate latitude and longitude coordinates for each show, based on the city, state, and country fields. For the shows in Washington, I replaced the generated values with more precise values, by looking up the lat + long coordinates for each DC venue based on their street address.
Detail pages for each show often noted when the show was a benefit. I manually added benefit show information into the data table, and then used the following calculation to figure out how much money they raised: Door Price multipled by the Number of Attendees, minus 20% to pay the sound person and other incidentals. These are approximate amounts. I also pulled “Bands played with” data from the show detail pages, and used Tableau Prep to separate the list out to individual entries, correct any misspellings or duplicate entries, and then get counts.
For the Family Tree visualization, I sourced the data from bandtoband.com, an online database of connections between bands, by shared members. Bandtoband.com considers a band member to be someone who played on a recording, so someone who was only part of a live lineup or just joined for one tour are not in the database. Technically Fugazi had a fifth member for their last years as an active band: Jerry Busher. He played a 2nd drumkit and other instruments, both live and on the album “The Argument.” I left him out of the first ring as a he is not a “main member” of Fugazi for most of their career, but represented him on the Family Tree by his appearance in the bands French Toast, All Scars, and Fidelity Jones.
Wednesday, April 3, 2019
youtube find:
Before 1976: How Punk Became Punk
this is not half bad... and in fact very cool in spots...
Friday, March 22, 2019
Friday, March 8, 2019
‘Punk’: Johnny Rotten, Marky Ramone Spar
at ‘Off the F–king Rails’ Documentary Event
interesting all the short clips around the internet took all this insanity out of context and made it so much worse than what it was.
Wednesday, February 13, 2019
The Undertones - Teenage Kicks
from the YouTuber who posted this classic:
John Peel's favourite ever song and not hard to understand why. Timeless teenage frustration in 2 and a half minutes of raucous pop punk heaven. Play it loud and feel free to pogo -- you know you want to.
Download their album Teenage Kicks on iTunes : http://apple.co/29ixys6
Buy their album Teenage Kicks on Amazon : http://amzn.to/29gNkye
Listen to Teenage Kicks on Spotify : http://spoti.fi/29hsenf
Wednesday, February 6, 2019
Minor Threat
rarely if ever seen image from The Idealist
Tuesday, January 15, 2019
the end of Maximum Rocknroll as a monthly print fanzine.
From the MRR Board of Directors:
It is with heavy hearts that we are announcing the end of Maximum Rocknroll as a monthly print fanzine. There will be three more issues of the fanzine in its current format; late in 2019 we will begin publishing record reviews online alongside our weekly radio show. Readers can look forward to more online content, updates regarding the archive project initiated in 2016, and other yet-to-be-announced MRR projects, as well as new ways for punks around the world to get involved.
Maximum Rocknroll began as a radio show in 1977. For the founders of Maximum Rocknroll, the driving impulse behind the radio show was simple: an unabashed, uncompromising love of punk rock. In 1982, buoyed by burgeoning DIY punk and hardcore scenes all over the world, the founders of the show — Tim Yohannan & the gang — launched Maximum Rocknroll as a print fanzine. That first issue drew a line in the sand between the so-called punks who mimicked society’s worst attributes — the “apolitical, anti-historical, and anti-intellectual,” the ignorant, racist, and violent — and MRR’s principled dedication to promoting a true alternative to the doldrums of the mainstream. That dedication included anti-corporate ideals, avowedly leftist politics, and relentless enthusiasm for DIY punk and hardcore bands and scenes from every inhabited continent of the globe. Over the next several decades, what started as a do-it-yourself labor of love among a handful of friends and fellow travelers has extended to include literally thousands of volunteers and hundreds of thousands of readers. Today, forty-two years after that first radio show, there have been well over 1600 episodes of MRR radio and 400 issues of Maximum Rocknroll fanzine — not to mention some show spaces, record stores, and distros started along the way — all capturing the mood and sound of international DIY punk rock: wild, ebullient, irreverent, and oppositional.
Needless to say, the landscape of the punk underground has shifted over the years, as has the world of print media. Many of the names and faces behind Maximum Rocknroll have changed too. Yet with every such shift, MRR has continued to remind readers that punk rock isn’t any one person, one band, or even one fanzine. It is an idea, an ethos, a fuck you to the status quo, a belief that a different kind of world and a different kind of sound is ours for the making.
These changes do not mean that Maximum Rocknroll is coming to an end. We are still the place to turn if you care about Swedish girl bands or Brazilian thrash or Italian anarchist publications or Filipino teenagers making anti-state pogo punk, if you are interested in media made by punks for punks, if you still believe in the power and potential of autonomously produced and underground culture. We certainly still do, and look forward to the surprises, challenges, and joys that this next chapter will bring. Long live Maximum Rocknroll.
A very frank discussion with the community I was happy to participate in at the time...
I was a contributor for a while back in the early 80's and was introduced to some great people who I met through that community, some that are no longer living and some that remain friends to this day.
Nice run MRR!
-GEF
p.s. one of my photos on this old cover :
Wednesday, January 9, 2019
Friday, January 4, 2019
Tuesday, October 16, 2018
Saturday, October 13, 2018
How ‘The Walking Dead’ helps Revere High School make the grade
from The Boston Globe:
Revere adopted a method more common to affluent private schools, and boosted academic performance. Now it is evangelizing the technique.
Teacher Nancy Barile with some of her students from Revere High School.
Revere adopted a method more common to affluent private schools, and boosted academic performance. Now it is evangelizing the technique.
Teacher Nancy Barile with some of her students from Revere High School.
Most days in Nancy Barile’s English course at Revere High School, a visitor might begin to wonder when the real class is going to start. Discussions focus on plot points, character development, and persuasive writing, yes, but the text at their center isn’t Hamlet or Catcher in the Rye. It’s the television series The Walking Dead.
Three years ago a student who wasn’t completing his work dared Barile to watch the zombie show, saying he’d study if she did. Another teacher might have balked, but Barile had helped organize a punk rock scene growing up in Philadelphia and brings that “why not try it?” ethos to her teaching. She watched the series and then built an entire curriculum around it (content rated TV-MA means the course is only open to juniors and seniors). “The show has everything — sociology, psychology, interpersonal relations, ethics,” says Barile, who is in her 24th year of teaching. “We watch the show and dissect it.”
In class, students study all the familiar concepts of high school English, but they’re applying these concepts to a work they care about passionately. Through the lessons, they also have greater control over the pace and content of their curriculum. Barile says students who take the class are more engaged and show more improvement in their writing. The juniors are more likely to sign up for AP English as seniors than students who take other classes.
Barile’s class is a prime example of how Revere High School uses “student-centered learning” to reach a highly diverse student body. Under this approach, lessons are structured around the interests and needs of students, not box-checking convenience for teachers and administrators. Students learn at different paces and via different teaching styles, the thinking goes. Give them more control over the manner in which they’re taught and how their work is assessed and you’ll produce more involved, successful students. In history, students might pick historical characters and analyze major events of their era from the character’s perspective. Math students might flip the class, watching videos explaining the concept beforehand, then use the teacher as a coach during class time — if they need help.
Revere’s school district is one of the leaders in Massachusetts in advancing student-centered learning, which is surprising on multiple levels. It’s an approach associated with affluent private schools — free from state curricula and testing mandates. But Revere is a working-class city just north of Boston Logan International Airport, best known for having the oldest public beach in the country. About 80 percent of the high school’s 1,900 students come from low-income households, district officials say. Many are recent immigrants — 32 different languages were represented in the student body last year — whose English skills may be limited at best (about 19 percent are categorized as English language learners).
Also, Massachusetts public schools have been relatively slow to adopt student-centered learning, perhaps in part because traditional teaching approaches seem to work so well here — last year the state’s averages topped the National Assessment of Educational Progress test scores in reading and math. Other states, such as Virginia, which has tried to limit standardized testing and replace it with locally designed ways of measuring student achievement, are much further along in adopting student-centered learning principles in the public schools, says Rebecca E. Wolfe, associate vice president of Jobs for the Future, a Boston-based nonprofit that helps educators and school districts adopt student-centered learning.
Revere High’s move to student-centered learning started when Lourenco Garcia became its principal in 2010. Garcia, who held the role until this summer, was concerned that so many students seemed unable to connect with their teachers or the material. This was reflected in the school’s standardized test scores, particularly those of minority students. Only 50 percent of its black students and 63 percent of its Hispanic students had achieved proficient or advanced scores on the Massachusetts Comprehensive Assessment System statewide English test in 2009. Garcia, who had taught for 16 years in Brockton before becoming a high school principal in Rhode Island, researched student-centered learning and felt the techniques could provide an antidote to a form of torture found too frequently in schools: boredom.
He thinks the approach is especially potent for immigrant students, who often feel disempowered as they adapt to a new country. Garcia himself came to the United States 22 years ago from the island nation of Cape Verde.
Finally, the approach breaks from traditional classrooms where students are expected to sit and listen. “That’s the old factory model, where you were a passive learner,” he says. “This approach is dynamic. It motivates kids and brings a lot of enthusiasm into the classroom.”
At Revere High School, students use the show “The Walking Dead” to study English concepts, instead of classic texts. From left: Students Jenna Geraci, Michael Guzman, and Joselyn Bonilla Rosales.
After Garcia implemented student-centered learning at Revere High, proficient or advanced scores on the MCAS for English jumped; in 2017, 82 percent of black students and 77 percent of Hispanic students achieved them. Gains were just as dramatic in math and science. The school’s four-year adjusted graduation rate rose from 71.5 percent in 2009 to 87.9 percent in 2017.
For a district with Revere’s demographics, this sort of performance drew national attention. In 2014, the high school was chosen as the top urban high school in America by the National Center for Urban School Transformation. Educators from as far away as Ohio, Texas, and California — and as nearby as Harvard University — flocked to the oceanside town to see the method in action. Candice Hazelwood, an educational consultant who was part of a group of Ohio educators that visited Revere in 2017, says “they have taken giving the students a voice to another level.”
* * *
IT’S HARD TO HEAR above the two dozen students in Charles Willis’s class The History of Revere, which looks at how the community, first settled in the 1630s, has changed over time. The students have separated into groups to discuss oral history interviews they had conducted at a local senior center, an assignment they largely designed themselves as a way to get real-life examples of the city’s evolution.
Students have a say in how the classroom experience is structured, as well. They sit alongside teachers on some of Revere High’s 12 school improvement teams that focus on different aspects of student-centered learning, such as how students demonstrate proficiency, or how to extend learning beyond classroom walls. The teams sign off on all major changes at the school, meaning little goes forward without teacher buy-in.
The flip side of Garcia’s allowing teachers and students more creativity was requiring more accountability. In a school setting, that translated to more scrutiny. Garcia set a rule that he and his senior staff observe at least two teachers every single day. They fan out across the school, slipping into classrooms and watching what the teachers do, and how students respond, then write up an observation report within three days.
Garcia, 55, has an inclusive leadership style, and is known for working hard to connect with students. He plays a little game he calls “Where in the world is this student from?” On a spring day last school year, he spots a young man in the school cafeteria wearing a green sweatshirt and preparing to inhale a sandwich. Garcia walks over and asks, in perfect Portuguese, “Voce e do Brasil?” (“Are you from Brazil?”)
A smile creases the teen’s smooth face as he nods. Garcia smiles back. When he immigrated at the urging of family members who were already here, Garcia knew only a few words of English. But he’s good with languages — he speaks seven (Portuguese, English, Spanish, Italian, French, Russian, and Cape Verdean Creole). He also knows how hard it is to make it as an immigrant. He did odd jobs — bagging groceries, working in a laundromat — to support his family while he attended college, on his way to a job as a social studies teacher in Brockton.
Garcia believes principals and teachers don’t have to have his experience as an immigrant and a minority to make student-centered learning work in schools with significant percentages of both. He was the only minority in a leadership role at Revere High, for instance.
Revere, along with a handful of other Massachusetts school districts, is trying to spread this style of learning. Three years ago, Revere was among six school districts — the others were Attleboro, Boston, Lowell, Somerville, and Winchester — to start the Massachusetts Consortium for Innovative Education Assessment to advance personalized learning and student assessment. So far, the consortium has trained teachers in 40 schools to swap multiple-choice tests for more creative ways of evaluating students, such as podcast production, narrative writing assignments, and architectural design projects. (The Revere school district received a grant for its work from the Nellie Mae Education Foundation, also one of The Hechinger Report’s donors.)
Somerville aims to make student-centered learning apply not just to the academic but also to the physical, social, and emotional well-being of students, says Mary Skipper, superintendent of Somerville’s schools. The district is now renovating Somerville High School to introduce flexible classrooms conducive to collaborative work, one way to reduce the time students spend listening to a teacher lecture. “The ultimate goal is to have projects that incorporate things that motivate students, that they like, and from that be able to teach a variety of standards,” Skipper says.
While student-centered learning has shown promise for schools with high numbers of low-income students, including four Northern California high schools studied by Stanford, the approach has yet to be tried on a large scale. But Revere has found that progress isn’t always steady, and it doesn’t work with every student.
Recently, an influx of immigrant students with little formal education affected Revere High’s performance on some state measures, hitting pause on the school’s climb on state rankings during Garcia’s tenure. The high school dropped from a Level 1 school in 2015 to a Level 3 school in 2017 on the state report card, which looks at standardized test scores. The Massachusetts Department of Elementary and Secondary Education announced last December that it would no longer use the 1-5 levels to rate schools, moving away from relying so heavily on standardized tests to label schools. That decision, too, is part of the accelerating shift away from top-down, one-size-fits-all approaches to education.
“Assessment drives what gets taught and how it’s taught,” says Dan French, executive director of the Center for Collaborative Education, a Boston group that’s working with the student-centered learning consortium. “If students are focused on rote memorization to pass a state test, they will not be prepared for the higher-level thinking required in college and increasingly in careers.”
French says employers increasingly complain that graduates come to them unable to perform tasks needed to help their businesses thrive, such as analyzing and synthesizing data and collaborating with teammates. In effect, the focus on standardized tests winds up harming business productivity and the national and local economies. French says the desired skills are much more likely to be developed in a student-centered learning environment.
Samantha Karl, who graduated from Revere High School in 2017, says she and her classmates appreciated the school’s approach because it allowed them to move at their own pace. “For someone like me who likes to move a little faster, if I understood something I wouldn’t have to spend class listening to the teacher going over something I already understand,” says Karl. She says even the class clowns “started showing up to class prepared.”
Karl, now a sophomore at Boston College, thinks learning to work on her own prepared her for college in a way that she might not have experienced in a more traditional system.
Revere is moving to spread student-centered learning across its 11 schools. This past summer, Garcia was promoted to executive director of data and accountability for the entire Revere district. Part of his job will be evangelizing for student-centered learning.
Revere’s superintendent, Dianne Kelly, says she created the position for Garcia because of his ability to identify struggling students and develop creative strategies to help them. John Perella, a Revere native and an assistant principal at the high school (before Garcia’s arrival) who spent the past seven years as principal of Medford High School, was named to replace Garcia. Perella says student-centered learning will continue to be a big part of the high school experience. “The future of education is based on these types of ideas where we engage students differently, we look at them less as a recipient of knowledge than as an integral part of the learning process,” he says.
That’s welcome news at Revere High, where teachers warmly embraced Garcia’s laser focus on student and teacher needs. According to June Krinsky-Rudder, who has taught art at Revere for 17 years, Garcia would approve art projects that she admits sounded a little “crazy.” After a tornado hit the area in the summer of 2014, she assigned her students to create installations based on their impressions of the tornado. Some of the nine works were big and bold, such as a sculpture of a person breaking through glass and one of junk hanging from a tree.
Not only did Garcia let her put on an art show, he personally called parents to ask them to attend — using whatever language he needed to communicate with them.
Garcia is thrilled to have the opportunity to bring this kind of attention to detail to administrators across the district — with the hope that it will trickle down to students, ultimately keeping them at the center of everything he does.
Wednesday, October 10, 2018
Friday, September 21, 2018
MC5 for the FUCK YEAH FRIDAY
Incredible rare great live film footage
from Dangerous Minds:
This year marks the 50th anniversary of the recording of MC5’s seminal live/debut album, Kick out the Jams. To celebrate, guitarist Wayne Kramer has hit the road with an all-star band, playing the entire record plus other MC5 classics. There’s also the imminent release of a very cool vinyl boxed set of the MC5’s three LPs—but more on that in a moment.
1972 would prove to be the final year for the MC5, but early in the year they were still actively promoting their recently released third album, High Time. An overseas tour, with concerts in England and France, was booked for February-March. Bassist Michael Davis, traveling separately from the group, missed his flight to England, causing him to a be a no-show for a major gig in London. The MC5 played a few subsequent dates, before Davis left the band. One of the last concerts performed by the original lineup took place on February 11th at Friars, a club in Aylesbury.
Footage shot at this gig has been uploaded to Wayne Kramer’s YouTube channel. The two clips—which have been restored and look/sound fantastic—reveal that, even as the group was reaching the end of the line, some of that ol’ ‘5 magic was still there.
The new MC5 vinyl box, Total Assault: 50th Anniversary Collection, comes out on September 21st. The Rhino Records set includes the three albums the MC5 released: Kick out the Jams (1969), Back in the USA (1970), and High Time (1971). All three are pressed on colored vinyl, and feature faithful reproductions of the original artwork. The box also will include previously unreleased photos. Pre-order yours here.
In their kitchen Photo: Leni Sinclair. ...
Saturday, September 1, 2018
Wednesday, August 8, 2018
Tuesday, August 7, 2018
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